I've been asked a couple times at conferences about good books for writers to read. I'm still working on that list, but in the meantime, here's my master's creative writing thesis reading list, with some notes as to how these books can benefit your writing.

CONTEMPORARY (AMERICAN) SHORT STORIES

  • Carver, Raymond. Where I'm Calling From
  • Dubus, Andre. Dancing After Hours
  • Johnson, Denis. Jesus' Son
  • Moore, Lorrie. Birds of America
  • I often cite Lorrie Moore's story "Agnes of Iowa," found in this collection, when examining instances of change in writing (how authors write characters changing).
  • Wallace, David Foster. Brief Interviews with Hideous Men
  • “CLASSIC” (AMERICAN) TEXTS WRITTEN SINCE WORLD WAR II

  • Atwood, Margaret. The Handmaid's Tale
  • DeLillo, Don. White Noise
  • Ellison, Ralph. Invisible Man
  • Fox, Paula. Desperate Characters
  • Fox's novel of a marriage in turmoil is also one of the best examples I've ever read of how a writer uses background description to suggest mood, tone, and the mindset of the characters.
  • Heller, Joseph. Catch-22
  • Mailer, Norman. The Naked and the Dead
  • Morrison, Toni. Sula
  • Oates, Joyce Carol. We Were the Mulvaneys
  • Along with Kingsolver's The Poisonwood Bible, Oates' We Were the Mulvaneys is an excellent example of an author writing in many different, distinct voices throughout a novel. Good for writers considering multiple narrators.
  • Vonnegut, Kurt. Slaughterhouse Five
  • Welty, Eudora. The Optimist's Daughter
  • Besides being a classic, Welty's Optimist's Daughter is a great example of a complex novel told over a very short period of time -- only about three days.

    CONTEMPORARY (AMERICAN) NOVELS

  • Auster, Paul. Moon Palace
  • Paul Auster has a fantastic talent for sprinkling his books with too-good-to-be-true coincidences, and making them absolutely believable. Well worth studying.
  • Baxter, Charles. First Light
  • Cunningham, Michael. The Hours
  • Dunn, Katherine. Geek Love
  • Kingsolver, Barbara. The Poisonwood Bible
  • Miller, Walter M. Jr. A Canticle for Leibowitz
  • Moody, Rick. Purple America
  • Moody has an unbelievable command of language, and moreover, he uses that language to make the smallest details of life seem beautiful. A good source for adding lyricism to your writing.
  • O’Brien, Tim. Going After Cacciato
  • Sloan, Kay. Worry Beads
  • Walker, Alice. The Color Purple
  • “WORLD” NOVELS

  • Amis, Martin. Money: A Suicide Note
  • Money demonstrates how to use an untrustworthy (or unpleasant) narrator, and make that narrator one your readers will follow through the length of a novel.
  • Calvino, Italo. If One a Winter’s Night A Traveler
  • Ishiguro, Kazuo. The Remains of the Day
  • Garcia Marquez, Gabriel. One Hundred Years of Solitude
  • Kundera, Milan. The Unbearable Lightness of Being
  • THEORY AND PRACTICE

  • Burroway, Janet. Writing Fiction: A Guide to Narrative Craft
  • Dillard, Annie. Living by Fiction
  • Gardner, John. The Art of Fiction
  • LeGuin, Ursula. Dancing at the Edge of the World
  • Essays on writing by LeGuin. Her "Carrier Bag Theory" of fiction deconstructs the idea of a necessary hero and villain in a work, with points worthy applying to your own writing.
  • Myers, D.G. The Elephants Teach
  • A history and critique of creative writing programs. Worth reading if you're considering a creative writing degree.

    MULTI-GENERIC AND HYBRID TEXTS

  • Baker, Nicholson. U and I
  • Brautigan, Richard. Trout Fishing in America
  • Thompson, Hunter. Fear and Loathing in Las Vegas
  • ADDITIONAL READING

  • Auster, Paul. Leviathan
  • Bellow, Saul. The Victim
  • Czuchlewski, David. The Muse Asylum
  • There's some value in budding writers reading debut novels and studying how others "broke in." Czuchlewski's Muse Asylum is a clever, thought-provoking novel, but a quick enough read that it makes a good tool for workshop-study.
  • Hornby, Nick. About a Boy
  • Howells, William Dean. The Rise of Silas Lapham
  • Lamott, Anne. Bird by Bird: Some Instructions on Writing and Life
  • An excellent writing guide. Discusses the idea of "junky" first drafts (Lamott uses a different term) and how it's important to get your ideas down on paper first, and worry about tidying them up later.
  • Miller, Ellen. Like Being Killed
  • Moody, Fred. I Sing the Body Electronic
  • Nixon, J. Robert. The Light of Falling Stars
  • Zafris, Nancy. The Metal Shredders